CIPA says 310 shots with the viewfinder only. For video shooters I can see some value here, particularly for adjusting exposure manually on the fly, but only when you want it to happen. This puts the Z6 into rarified company in terms of 4K video signal integrity and what you can do with the data in downstream processing. In one of the biggest design dissonances in the DSLR to mirrorless transition, the type of VR is controlled by the lens, unless it isn't. This also removes the Bank settings from the menu and provides the U1, U2, and U3 user settings of the consumer Nikon DSLRs. If the lens doesn't have VR or no VR switch, then only the camera menu system controls VR operation. Say what? The Manual is protected by Japanese copyright law and international copyright laws and treaties. I can find plenty of places where the Z6 does not handle like a Nikon DSLR. Basically every twelfth row has this dual-function nature. Although your device does not support this download service, it can be used to view download information. I should point out that I was using this event as part of my testing. And if there's no VR on the lens, then the only way you can control the sensor VR is via the menu system. You're simply going to get to correct focus visually faster and more accurately with your lens on the Z6 via FTZ adapter than you will with any other camera mounting those lenses. It started with the Z7: Nikon's autofocus wasn't any good, the Internet said. By keeping the deep hand grip and traditional Nikon controls coupled with the usual Nikon high-end build quality, the Z6 still feels like a Nikon. For a company that caters to legacy users, all those AI and AI-S manual focus Nikkor owners can relax: Nikon designed the Z6+FTZ adapter so that it can work with those lenses, though you'll probably need to set focus peaking to use them well. That said, I'd say that the video from the Z6 looks very good, and recorded on an Atomos Ninja, the Z6 can clearly compete with pro video cameras. While no longer alone with this feature after similar launches from others, Nikon was the first to introduce a true full frame 4K with 10-bit uncompressed 4:2:2 off the HDMI port. Finally, there’s the issue of how the Z6 differs from the Z7. Focus performance with the latest firmware extends to -6EV with an f/2 lens attached. Single point works decently and much like the DSLRs, if you can keep it on the subject. The chipped Voigtlander and Zeiss (ZF.2 and later) primes fit into this category, as well. no continuous theater/music/dance performances). With the current Black Friday deal on Nikon D850, is it worth upgrading to Nikon D850 or rather buy the new Nikon Z6 II. It just isn't a home run. Which brings me to the card slots. Tracking fast and erratic moving subjects can present a problem, particularly if you use the wrong settings. Nikon didn’t make this easy. I've already noted that the shutter has a flash sync of 1/200, but otherwise it is the usual 30 second to 1/8000 vertical-travel focal-plane shutter type. If you want to track another subject, you have to go back to step 2. There's a little "secret sauce" in the underlying decision making Nikon doesn't want to reveal. Otherwise you'll get into menu diving pretty quickly every time you want to reformat a card. Of course, there's another type of banding we need to talk about, and that's what happens with all electronic shutters under frequency based lighting: you get bars (not bands) across your image where the exposure seems different. When I say slow, I mean slower than your Wi-Fi is capable of, and almost slow enough not to be useful. That both helps and potentially hurts AF-C focus accuracy. Oh, wait, slot. Integrate a NIKKOR lens unit into a Z6 or Z7 mirrorless camera body with this Nikon FTZ mount adapter. So, Nikon basically nailed handling. If you want an AC power source, unfortunately you have to use the usual suspect, an optional EP-5 driven dummy battery that cables through a small rubber door in the grip and is powered by an optional EH-5. The Nikon Z6 offers several resolution and frame rate options for the video shooter: 3840 x 2160 (4K UHD): 30p (progressive), 25p, 24p 1920 x … This filter steals a little acuity from edges and anti-aliases the data, but that also has the tendency to mask some of the photon noise, too. We only get the blinkies now for the luminance channel; there’s no way to see which channel is blowing out short of going to the RGB Histogram page, and the small channel histograms will have you looking closely to see what’s going on. Even in 14-bit NEF, the presence of the banding in near-black values isn't assured. For those who already have Nikkor (F-mount) lenses, the transition from DSLR to mirrorless will be less expensive and less frustrating by just sticking with Nikon than going to a Sony A7 model. Third party lenses with stabilization, especially older ones, may not correctly interface with the camera's VR, though. The Nikon Z6 is made in Sendai, Japan, with about three-quarters of the assembly done by automation according to Nikon. One primary one that isn't remembered: the drive function (self-timer, single shot, continuous shot, etc.). Yes, the Z6 has on-sensor VR. This was the second camera to use Nikon's new Z-mount system after the release of the 45.75 megapixel Nikon Z 7 in September 2018. First up is the removal of the Mode button and the inclusion of a Mode dial. If you're starting from scratch, the Sony A7 Mark III and FE lens set offer more choices right now, though. To those that wonder: yes, there is an immediate and tangible difference in feel when moving from the D850 to the Z6: the Z6 feels lighter and nimbler. How's it Perform?Battery: Like the Z7, the Z6 is hitting well above the CIPA numbers in my shooting. The XQD and Type CFExpress cards are the appropriate state-of-the-art card for a product such as the Z6. It’s a little less clearly so on the Z6 than on the Z7 because of who the camera is catering to. That same connector is used for wired remotes like the MC-DC2, and for other accessories such as the GP-1A GPS unit. In a couple of cases, that meant lost shots. I don't understand why Nikon isn't always using closest subject priority in more of their focus modes, but it really needs to be there for face/eye detect, and doesn't seem to be. Like the Z7, my Z6 seems to max out at about 250MBs write performance to the XQD cards. Those current Sony 24mp full frame sensors all test out within a narrow range (Panasonic also uses one in the S1), with the primary difference between them in the few stops of ISO where they are making different gain adjust decisions (basically ISO 400-800). Compared to the Sony A7 Mark III, the Nikon Z6 doesn't quite match the Sony's face/eye detect abilities, but it also doesn't have the Sony's handling issues, particularly in winter use with light gloves on. So, not true CSP. Frankly, if you take the older FSI Sony 24mp Exmor used in the D750 and other cameras and map it against the Z6 you won't find a huge differential. Unlike the Nikon 1, the Z series is fully integrated into Nikon's long SLR/DSLR legacy. The Nikon Manual Viewer 2 app for iPhones, iPads, iPod touch, and Android devices can be used to download the manuals for Nikon digital SLR cameras and view them offline. We'd be quibbling if we tried to ferret out meaningful differences. It was a mode within a mode, meaning that you have to select Auto-area AF mode, then press the OK button, then align the cursor on the subject you want to track, then start the focus (shutter release or AF-On button). These lenses may* give you rangefinder focus confirmation (focus area goes green when area in focus), focus peaking, and image magnification as useful focus tools. The arrival of the 24-70mm f/2.8 S lens produced another strange handling issue: how the focus and third ring are configured. For that Nikon has made an optional FTZ Adapter (F mount To Z mount, get it?). Finally, it seems ironic that Nikon removed the DOF button on a camera (D7500) because Live View provides a perfectly acceptable rendering of what is and isn't out of focus (on the rear LCD), but then they make a camera that is basically always in Live View that requires a DOF button to see what is and isn't out of focus. 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